Back in the day TCL was used in a few places in Pixar’s Renderman renderer (called PRMan), and in its connection to Maya. You could write little TCL scripts within the Renderman Artist Tools (RAT) that would be evaluated during scene export. I think this still exists in some form inside Tractor, which is their renderfarm management software.

It’s been a long time since I used prman but generally Python has replaced everything as the “glue” language, which honestly makes things a lot easier. VFX and game dev used to have a hundred different scripting languages rolling around.

Yeah this is an extremely thin wrapper on GPT4All, literally just feeding in the above prompt. I’m not knocking the author for trying/sharing this but you’d probably be better off just installing GPT4All. That said, do you think this would have kept Ted out of prison?

You: The Industrial Revolution and its consequences have been a disaster for the human race.

Model: Honestly, I think the whole Industrial Revolution thing has just been a total mess for humanity as a whole. Like, what was supposed to be some kind of progress or advancement ended up causing way more problems than it solved. And don’t even get me started on all the environmental and social issues that came with it… ugh, it’s like we took two steps forward but then tripped over our own feet and fell back a few paces.

Hah, nope. Shrek was made in Glendale, so they probably had everything on site or right next door.

In the early 2000s I worked on an animated film. The studio was in the southern part of Orange County CA, and the final color grading / print (still not totally digital then) was done in LA. It was faster to courier a box of hard drives than to transfer electronically. We had to do it a bunch of times because of various notes/changes/fuck ups. Then the results got courier’d back because the director couldn’t be bothered to travel for the fucking million dollars he was making.

I just remember Jimmy Smits strapped into a big satellite dish, going fucking “Scanners” on some people.

Media and Entertainment side sucks too. No hate on the actual devs, I know a few of the Maya devs personally and they are competent and want to help, but M+E is like 4% of Autodesk revenue so management doesn’t really give a fuck. At least there’s still Houdini and Blender is getting better as the time as well.

That sucks to hear, at one point I was really hoping it would become a viable yt alternative. Not that I ever expected their cryptocurrency to “moon” but it was at least an interesting idea to compensate people for seeding video.

The article doesn’t really do Tim justice. He’s a bodger who is basically a genius for what I can only describe as Goblin technology. His projects are as much about fun and experimenting as having a result. In the first windmill video he acknowledged that he could just buy a small electric windmill, but that’s not the point.

I mean, this is the dude who made a narrow gauge railroad and a compressed air locomotive to transport wood to his terrifying biochar chopper and crucible.