Joined the Mayqueeze.

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Joined 2 years ago
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Cake day: June 12th, 2023

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  • I don’t think you can codify it more than “they do it by gut.” I think it’s pretty rare that a song goes unaltered from the spark in somebody’s head to mastered recording without many changes. It’s a collaborative effort that involves the producers and friends as well.

    I think the more somebody is knowledgeable in musical theory, can read and write notes, and maybe even has perfect pitch, the more fully formed an idea will be when it gets to the early stages of recording. But musicians are not all Mozarts.

    I dabbled in making electronic music for a while as a hobby. There was only me, I don’t remember anything from musical theory class in school, can barely read notation - in short: I’m not even mediocre. But even I felt occasionally that I needed to speed a track up or down. It’s a gut feeling.

    I know from a drummer friend of mine that performing live is hard. You’re either very good at keeping time, like, you have an unshakable metronome in your head, or the tempo naturally speeds up. That’s why during production a lot of musicians get the metronome via a click track in their ears to make sure they don’t deviate too far from what BPM they wanted to hit. During live concerts I think a lot of drummers, as the metronomes of the band, get a click track in their ears as well. And there may be concerts where a song is sped up compared to the recording on purpose, but is still played with a click track because it sounds better live when it’s faster, maybe because it’s missing a lot of stuff from the production that filled gaps at the lower speed. So you can say everything has a tendency to speed up live but sometimes tracks that are performed faster are an artistic choice.






  • This also depends on the phone and which version of the operating system it runs. I think both iOS and Android have snatch detection in their latest versions, i.e. the phone can realize it’s been ripped from the hands and subsequently traveled fast away from the point of snatching. Phones are then supposed to lock so the thief doesn’t gain access.

    A good security option is not to have financial apps and credit card numbers in the clear on your phone, or to have this stuff hidden behind a fingerprint scan or other ID, if the phone is unlocked or not.

    If you don’t want to buy 13 guns to shoot a mugger with, as has been suggested in this thread, consider something as silly as a sturdy lanyard to anchor your phone to your person. Now you’re only interesting to the criminals who will rob you at gun/knife point. The snatchers tend to look for easy marks. In the US, a vital defense against having your phone stolen is having an Android phone to begin with.



  • Trump is vindictive and petty. He would take revenge somehow. Whether it is just a very STABLE GENIUS tirade on lies.social or trade sanctions or a threat to invade the country is anybody’s guess. But they’re all on the table and he’s got the eternal memory of an elephant. That’s why every leader knows they have to go in with some honey first. They pay him a compliment or bring something he wants or likes. Then they can play hardball if they have to but you gotta appeal to the frail ego first. And that’s why few leadership people will call him stupid in public or even to his face. They will hide the stupid medicine in some rhetorical sugar until their country is economically and militarily independent from a Trump government.

    I am no leader, praise the heavens, and I wouldn’t call him stupid. He’s uneducated in many areas outside real estate development. He’s got the interpersonal maturity of a 4yo. But he is street savvy and media savvy. There’s a reason why he is this popular with his followers.




  • I think several factors play into its lasting popularity.

    1. The series was written and first made into movies at a different time. A time when being a misogynists alpha male was aspirational for many, many more men. The unexpected success of the first movies created the foundation to an intellectual property that generations of mostly fathers introduced to their mostly sons. It never went away. Even in years where lawsuits prevented making new movies or when the latest installment of the franchise was considered controversial for whatever reason, the popularity stayed high. And the older the series gets, the more controversial everything becomes.

    2. Very few movies have what I would call a great coherent plot. They are going through checklists: we need a bonkers villain, a weird henchperson, a fancy car, at least one love interest, a gadget, a plan for world domination, and a witty line or two. Throw in a location in the Caribbean or the snowy Alps and that’s the formula. It’s Batman from MI-6 in London, really. It’s a comic book story that tries to seem somewhat realistic, in each movie’s release year’s contemporary time. And the more time passes the less jarring the obvious differences to reality become, and the more they are enjoyable as “leave your brain at the door”-popcorn-eating entertainment. Also, I think, the fact that many actors have played different roles over the years, sometimes overlapping with other cast changes, mostly unaddressed in the films why that happened, added to this “brain at the door”-ishness.

    3. They’ve gone with the time - to an extent. Where Sean Connery bedded every (young) woman he met and discarded them with a pad on the butt saying things like “man talk,” Daniel Craig’s lady conquest numbers were much lower and the sex less gratuitous - within the formula. Pierce Brosnan’s Bond was called a misogynist pig by his female boss. Under the stewardship of Broccoli/Wilson, the second generation in charge of the franchise, they have incrementally changed the formula.

    4. Because the series is so long lasting, there is tons of free publicity in the media, e.g. who will be the next Bond? Will be be less sexist? Will the female lead be more than a conquest? They don’t really need to buy ads for this. Also, there are plenty of companies willing to product place for a hefty price. If there ever was a time when the makers were considering if this was still of the time, the economic interests will surely push those progressive thoughts aside.

    I think that if we lived in a world where the Ian Fleming idea had not been adapted into film during the early years of the cold war, nobody would greenlight this project today. And it is its entrenchment in popular culture that keeps it going.

    The appeal is definitely more male but I know women who like Bond movies as well. I know this is very stereotypical: men look at the Aston Martin, the gadgets, and the boobs, women at the dresses, the pretty scenery, and how well the Bond girl stands up for herself. And while I’m sure that a subgroup of men looks at the Bond character as a role model, I would say the majority knows this is fiction and just a tad less comic-bookish than Ironman. It’s the male version of a cheap romance novel on a silver screen with more mass appeal.

    If this has not become clear from this dissertation: I’m a fan. I can enjoy these movies without wanting to revert to 1960s gender role models. I also know it’s not for everyone.





  • For my answer I’m going to assume - because it wasn’t all that clear to me - that you are also female and you’ll be teaching somewhere in the United States of America. If I’m mistaken, stop reading here.

    Kids don’t care. If you tell them this person loves that person and that’s why they’re together, that generally settles that. The problem here is their parents or other influential grownups in their lives … if they’re a-holes or just always have something negative to say about LGBT+, or worse. If news filters through to them and they’re fond of the MAGA hat, I would not be surprised if at the very least you’d be heavily discussed in a text thread of like minded parents.

    I would like to say “eff it, it’s 2025, you do you! Shout it from the rooftops. You have nothing to fear in reprisals.” But I’m thinking “sh!t, it’s 2025 in America, there is a chance that you will have to deal with a ton of it if you’re unlucky.” So the question becomes one of your inner fortitude: do you think you can do this job while facing sh!t every day? This ranges from hushed chatter to outright questioning and condemning you for your identity, from kids to parents and possibly to the faculty? Do you want to risk putting quite a heavy load on your shoulders on top of what teachers carry in general? If you say yes, or you can find other work when it gets too much, go for it. If not, I’d be cautious to make it about you. You can talk in general about how relationships are described in Spanish without casually mentioning where you stand.

    Personally, I want all of us to live in a world where any of these considerations seem laughable. My gut feeling tells me that we have been closer to that ideal in the past decade than we are today.